Jusepe de Ribera

1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.


       Prev  1  2  3  4  5  6  7  8  9  10   Next
  Prev Artist       Next Artist     

   
    

Jusepe de Ribera St.Onufri oil


St.Onufri
Painting ID::  3559
St.Onufri
1637 The Hermitage, St.Petersburg
1637_ The_Hermitage,_St.Petersburg
   
   
     

Jusepe de Ribera Saint Paul the Hermit oil


Saint Paul the Hermit
Painting ID::  3560
Saint Paul the Hermit
1640 Museo del Prado, Madrid
1640_ Museo_del_Prado,_Madrid
   
   
     

Jusepe de Ribera The Flaying of Marsyas oil


The Flaying of Marsyas
Painting ID::  3561
The Flaying of Marsyas
Musee Royaux des Beaux Arts du Belgique, Brussels
Musee_Royaux_des_Beaux_Arts_du_Belgique,_Brussels
   
   
     

Jusepe de Ribera The Holy Family with Saints Anne Catherine of Alexandria oil


The Holy Family with Saints Anne Catherine of Alexandria
Painting ID::  3562
The Holy Family with Saints Anne Catherine of Alexandria
Metropolitan Museum of Art, New York
Metropolitan_Museum_of_Art,_New_York
   
   
     

Jusepe de Ribera St Paul the Hermit (mk05) oil


St Paul the Hermit (mk05)
Painting ID::  20572
St Paul the Hermit (mk05)
Canvas 77 1/2 x 60 1/4''(197 x 153 cm)Acquired in 1875
Canvas_77_1/2_x_60_1/4''(197_x_153_cm)Acquired_in_1875
   
   
     

       Prev  1  2  3  4  5  6  7  8  9  10   Next
Prev Artist       Next Artist     

     Jusepe de Ribera
     1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings